Finger paint of memory dips my ego in the knowledge
I was once eleven
The crack of puberty
I see the riptide in my daughter
There are moments in life that teach you how to take a punch
Most of the act is not endurance or breathing elongated
To hold for an aperture to reciprocate a blow or
To charge that inflicted pain like a torpedo
Annihilating vessels upon open waters
The punch is taken by ceasing to connect oneself to
Before or after the moment of impact
However at the instance one is fully present
The sensation of energy transferring from the pugilist to the pummeled
Collides in waves received with understanding
Empathy and consciousness that the body pressing into one’s skin
Is the one in pain, one can either accept this inseparable mathematic
And find healing in the very act of being punched
Or one can find flecks of vengeance, resentment, anger, self-pity, or denial
In dispersed strands of pain tightening tendons panicking for a remedy
As one attaches what transpired or will to where one is
Daughter told me I am not ready to watch PG-13 movies
But mommy said at eleven I could tell the judge what I want
I want to be with my family, not here I do not like it here
I have been trying to get ready to tell you. I want to leave.
A locked door, refusal to eat, an elevated temperature and influenza
symptoms
Daughter claims she reads the books here to bear the hours
Used the words cloud of depression everywhere her father goes
Rip a father’s heart, yank arteries, show him the pump
Old verbiage recollecting a mother in law
A five year old’s words about punching a pillow to pretend it is the
judge
That makes you go with daddy
Before bedtime, “Mommy said, ‘Daddy only pretends to love you.’”
How does one love a person?
They tell you they want nothing to do with you anymore.
They punch you.
How you react is how you love a person.
Do you want what is best for them: happiness, to feel safe, to feel love.
Even though you may never see them again or less or
Be able to converse in a way that feels commensurate
With what you offer, they take, and you greet each blow with a blessing
Ignoring another human being is a form of abuse
One a daughter can learn from a mother
Father thinks of a courtroom he fought slander so he could see his
progeny
Lies in a strawberry town to push him out, the acid lips and borax tongue
Take the punch and let it be; give the prize money back
For it is a fool’s currency of the mad
Build a raft and hope for a horizon
Row back to visit the youngling; take her on trips to your island
May she learn folk songs, jazz, stories of wizards and dragons
Prepare her the crustaceans and swine, sugar and bed sheets
To dream under street light moons to navigate werewolf alleys
Readying to stare midnight in the jowls for the day fathers have to let
go
How does one love a person?
You give them your branches, trunk, and roots
You tie your being into a raft and sail them back on your belly
A place that feels like home to them perdition to you
For in love there is no possession
Not even for a father of a daughter
Genetics, identity, longing to hug blood and shared name
These are illusions of want for the punch, to dwell in the thump
Knuckle to skull purple
There is only letting be
For an image without face
Loving nameless wholly absolute in the moment of now
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