Sunday, February 4, 2018

Stagger Tongue - 20180107

Startle haze spyglass doorway
Coffee shop and I do not drink coffee
Alcove on the left I see you motion
Invitation to approach

In staggered tongue I admit sometimes
It takes me a minute, the stimulus the buzz of it all
Gets to be too much
Two cups of jasmine tea and you ask me

About being an introvert
I mutter about an amygdala
Comfort quilt brown eyes
In the corner of tea jars and a box of lost umbrellas

I found you
In a New York sweater in my New Orleans
There is an observant part of you
That flushed me with permission to be

That is to say, a man who has been taught to hide
Who has long talked to the empty pillow
As if somewhere you were out there in first acquaintance cliché
Nine years of mine and six years and four months in age

Wondering why this flight south
Shaken snow feathered goose down
For a one-bedroom apartment cheap rent and fifteen houseplants

AmeriCorps let you decide where to help
Memories of a father’s Jazz Fest pilgrimage
With music in bold lungs
Zest for clarinet and piano and his second daughter songbird

Here in black and white cloth, blond curls
Tidy stature, bibliophile, brilliant teeth  
Help me remember my own in the whispers
Cured spice bustle of background mocha aficionado chatter

Middle of three sisters for the middle of three brothers
Choir singer like my mother
Father held family round table talks on Sundays
A man with four females

Daughters and fathers
Dating remembering the dead and the abusive
A morsel in me appreciates you have him
Knowing the injury of when a woman no longer can look at a man

My thirteen-year-old daughter
Model for how a man should treat her
Your father cried watching Cadillac Records
Beyoncé playing Etta James singing At Last
I think he must think of you at the microphone 

Younger sister Paul Simon shoes in Connecticut
Older sister pencil skirt big-job married to the Dane in Chicago
Younger brother coffee-fiend / record label marketer
Older brother tattoo artist married to the Canadian in Ontario

Mother paints and you shyly describing your father’s boating
Without saying the word yacht
As if the gilded tinge of something to create distance and yet love
About who you are and how close and sliver of trepidation

Mixed in how others have seen kin intimacy
As threatening in the frivolity catalyst quintet
Of those Sunday shared secrets of where is privacy in bond

Ferried truths of Carnival’s beginning
The bone gang drumming around America’s Jackson Square
A place of memory 1999 New Year’s millennium
On the steps of St. Louis cathedral

Crows on a wire outside your apartment
Recollect an epilogue unanswered of a woman in a crowd
At the pinch of sunset, you exit the door
Hair blown out, straightened, those brown eyes in mascara

Effort offered
I struggle to find the unstartled aperture to compliment you
Until candlelight at a table in the Bywater

Admitting the overanalytical too often bests the obvious
Jazz on the radio, lips moist in delicious patter
Closed eyes welcoming, hum infused animal exhalations

Palm on nape
Deliberate desire
Collusion of bodies in passionate embankment

With a woman prone to buckle her seatbelt
Knowing she is about to be kissed
I become chaos

Love is not an ordered being
Flood of the tempered
Under streetlights of my new favorite restaurant for its spectacular parking lot

Remembering a mariner weary of sirens promising to gnash
The steeple women, the burlesque scorpions, the kundalini yoginis
A mermaid I have yet hear sing

Tale in a barstool of a twelve-year-old boy waiting for his grandmother
Who you help find the confidence to be heard as a person 

Walk out of the bar of cat theater and erotic poetry
Toward a school like the crow on the wire
Spots we have passed so many times before
Innocuous and yet we jolt

Henceforth those places bear gravity inextricably infused in memory
Of how a person does not plan such intersections
Life startles us stagger-tongued
Such beautiful collisions 

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