Default
settings are difficult to disrupt, the autopilot nature of being a person
of
how to respond or move forward, process, close the eyes and go, no yes or no,
just
floating in a stream of not trying to be anybody’s possession,
maybe
an indulgence for a taste wafting curiosity, siren songs, and liquid sea salt,
wondering
maybe and declination, and who knows and how it goes,
in
the remote contraction of fear and tight in that pit of personal history
like
a vault of interest and meaningful revelations across whiskey and a drum beat
next
to blue eyes, midnights, rock and roll, and losing uptight,
then
maybe the current tastes differently with the age of the batch,
the
barrel rolled and timing matched to a moment of staring
across
a neutral ground of motions and construction sounds;
what
do you want; what do you need;
these
sunrises counting down to boredom and indifference,
explosions
and the decisions that sit with one night after night in an empty pillow to the
right
staring
up at a white ceiling under that infinite possibility darkness into space
and
you say why not now, why not ask questions and laugh,
because
we are all afraid and the chances of anything working with anyone are
miniscule,
and
most people are horrendously incompatible mathematics spread on bedroom table
puzzles
of
run away so fast or freaking out the thought of personal time taken away and
having to explain
what
one really wants and risked being summed up by a statement,
encapsulated
in a microcosm, backing one’s self into a cul-de-sac of awkward
and
penance for ideas one should not question or speak and one does for why like a
flare
from
that spark of wonder in the heart of the old romantics and questioning what
life is
this
journey and the power of people gone atomic, nuclear fuel
radiating
in a way that melts the hardness commercial life paints on you from the get-go,
you
fight noticing or commenting or asking odd questions about knowing or guessing,
pondering, and assumption
in
the limens between how any one person can infer who another is in these circus
acts of perception and
tight-roping
for the crowd basic and true step toes in front of one foot hearing nothing up
on that wire
but
the beat of the universe inside one’s self emanating feeling like this is why I
am here
to
take chances and be in this, bear this energy like a peeled chest cavity
blasting light
in
routine actions of presence of participating, noticing, and creating with the
vulnerability
of
a human heart and body capable of plummeting off this sky wire with the
bonfires below
blazing
about what it means to be noticed or to notice another human being
stating
I think I see you, rays of you and maybe that is where my words will truncate
in
that chalky talk of trying to compliment someone post declination
To
offer speech like oil slick pouring onto one’s feet trying not to
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